This is how to call "Bullshit" or "Fake News" on the Obama/Jarrett Administration...
This is how to call "Bullshit" or "Fake News" on the Obama/Jarrett Administration...
TV-MA | 1h 45min | Biography, Sport | TV Movie 7 April 2018
Director: Barry Levinson
Writers: Debora Cahn, John C. Richards
Stars: Al Pacino, Kathy Baker, Riley Keough
SYNOPSIS: Exactly one day after becoming the winningest coach in college football history, Penn State's Joe Paterno (Pacino) becomes engulfed in the Jerry Sandusky sexual abuse scandal. Paterno's 61 year legacy is immediately challenged and he is forced to face questions of institutional failure in regard to the victims.
REVIEW: 4.5/5.0 Stars
Picture this: A long tenured King suddenly finds himself embroiled in a wedge between the mad adulation of his loyal minions and a sudden attack by an invading enemy. So near to his natural end, he thinks to himself: Why me? Why now? What have I done to deserve this?
Sounds like one of Sophocles' Theban plays, right?
Well, not quite, but you're closer than you think.
As we all learned in the Fall of 2012, a real-life Greek tragedy unfolded in the city-state of State College, PA. And the king, was coach Joe Paterno, affectionately known as "Joe-Pah" to his campus army. The invading force was the sudden national news frenzy (and resulting conflagration) over the indictment of pedophile Jerry Sandusky and the demands for culpability by Campus Officials.
The story takes place during ONE week in the life of the Paterno family. And it is quite possibly one of the strangest 7 days that any man of preeminence has ever endured. A monumental reversal of fortunes. A sheer collapse from citadel to sewer. And all of the emotions that you might imagine (absurdity, disbelief, irony, regret, self-examination, anger, betrayal, embarrassment) course through Paterno's eyes we see his life's canvas being gessoed clean with no chance of reversing it in his lifetime. And he knows it.
Most of the film's action is set in the modest Paterno family home. The first scene in the home is later in the evening after the record-breaking win over Univ of Illinois. Not one to celebrate, the 84 year old genius coach is already busy watching game films in preparation for next week's opponent, Univ of Nebraska.
But a few feet way at the kitchen table, his wife and sons are reviewing gory details online about the Jerry Sandusky indictment. Sandusky was a former Assistant Coach at Penn State, fired 10 years earlier. The more the family reads details aloud, the more the coach demands solitude and isolation--so that he can focus on his work.
The next few days are a steady drip of new facts, additional tension and on-campus physical conflict.
It soon becomes apparent that damage control is required before Thursday's weekly pre-game news conference. Knowing that this event will turn into a media circus the family consults a professional for his legal opinion and realize that the only way out is to have the king fall on his sword.
But, before Joe can resign, the University Trustees cancel the Press Conference and swiftly fire whomever they believe to have been culprits, enablers and facilitators in Sandusky's crimes. Paterno is one of the sacrificial lambs. But was he really only a lamb? Or did he know more facts and perhaps even decades earlier? This question is posited in the final scene.
Al Pacino's acting is as fine as you'd expect. He IS Joe Paterno. The aging and ailing genius is right there in front of us. Every creak in his hip and pain in his head are demonstrated through physical action and very conservative dialog. Joe is not a speechy man. He is a leader and a icon, so Pacino employs the "Less is More" axiom with amazing results. Kathy Baker as Paterno's wife is also outstanding in her conflicted transformation through Hell Week. Playing Sara Ganim, the cub reporter from Harrisburg who broke the story, is Riley Keough (grand-daughter of Elvis Presley). Keough is appropriately cast as an inexperienced newbie who gets a once-in-a-lifetime shot at a Pulitzer Prize.
Very sad, devastating and heartbreaking on all sides. No survivors are left unscathed.
But, hopefully, future narcissistic pedophiles like Jerry Sandusky will be brought to justice sooner through greater awareness, better preparation and unrelenting diligence.
Wayne Allyn Root is on FB.
I connected with him a few years ago and we shared stories about Columbia and Obama.
Consistent with this story is the fact that George Stephanopoulos, Class of 1982 (a year ahead of Root), also had no idea who Obama was. And Georgie was also a Poli-Sci major.
Wouldn't you expect a consummate journalist, who's done dozens of interviews with Obama, would ask him point blank: "Why doesn't anyone, including me, know who you were at Columbia?"
Ever the socialist shill, Stephanopoulos only helped Obama's ghost story, instead of doing the RIGHT THING.
WE OWN THE NIGHT (2007)
R | 1h 57min | Crime, Drama, Thriller
DIR: James Gray
CAST: Joaquin Phoenix, Mark Wahlberg, Eva Mendes, Robert Duvall, Tony Musante
A New York City nightclub manager tries to save his brother and father (both high ranking police officers) from Russian Mafia hitmen.
Decent drama with some good performances all around.
For fans of BLUE BLOODS on CBS TV, this film appears to have been the inspiration for that series.
Whoopi's "liberal implosion outrage" is a trifecta of embarrassment, anger & denial.
Like a boy when mom finds his porno mags.
When I talk to a liberal that I care about, I try to walk them back to the origin of the Great Divide.
I try to explain how political correctness (social marxism) was introduced into our society 50 years ago and that the breakdown of civil debate is based up that. Everything else is just Fall-out, By-Product or After-shocks.
I ask them:
1) Why do you think we have Fox News Today?
2) And why do you think we have Donald Trump as POTUS?
My friend today mocked me for trying to help him understand that 50% of Americans were left without a voice after 50 years of PC. I explained that the media is controlled by liberals and that PC shames the rare conservative who might work at the top of those companies from opening their mouths...for fear of career suicide. He just didn't get it.
He was cynical, combative and refused to hear me out. He insulted DT many times. So sad.
I even made a business case for Comcast/NBC to steal some of Fox News' market share by launching their own conservative channel. After all, in business, you don't just let your competition win without a fight. It is this exact reluctance by NBC and others that points to a cabal of leftists in major media companies who are willing to lose money to remain loyal to "the Cause".
I tried to address the hidden agenda of Obama's sealed background and how ridiculous it is that an applicant for an internship at the White House gets more closely scrutinized than a POTUS candidate. Surely something is amiss, right?
But all he could answer with was an attempt to shame/ridicule me with: "Are you a 'birther'?"
It's so typical of them to refute/disarm a valid set of questions with a synthesized 'epithet'. A fucking bumper-sticker-slogan.
How did Whoopi ever get this gig?
She was their Yoko: Humorless, talentless, dull, dim-witted, unattractive and a stale vagina.
The talent range of the two men was undefinable.
Yet she was a wet towel of nothingness.
There's Affirmative Action for you.
She's the Chauncey Gardiner of Comedy.
Anna Karenina (2012)
R | 2h 9min | Drama, Romance
Director: Joe Wright (Darkest Hour, Pride & Prejudice, Atonement)
WRITTEN by: Tom Stoppard (screenplay), Leo Tolstoy (novel)
CAST: Matthew Macfadyen, Keira Knightley, Jude Law, Aaron Taylor-Johnson, Kelly Macdonald
PLOT: In 1876 Russian high society, married St. Petersburg aristocrat Anna Karenina enters into a scandalous affair with the dashing Count Alexei Vronsky, leading to their exile to Italy and a humbling return years later. From the Tolstoy novel--widely considered one of the greatest works of fiction ever written.
Award winning costumes and sets. Stellar cast. Highly-stylized, theatrical, melodious and choreographed like a musical. Movements and violin soundtrack are interwoven with grace and aplomb.
Much of the action is arranged on, or behind, a theatrical set.
This gives an ethereal feel of a staged production. Director Joe Wright leverages Tolstoy's frequent use of railroad travel to transport the viewer to-and-from the snowy-grimy climes of railway sets. The horse race set is shot indoors with real horses, reminiscent of the Ascot Opening Day scene from "My Fair Lady".
3 out of 5 Stars
PG-13 | 1h 46min | Drama, History, Thriller
DIR: John Curran
CAST: Jason Clarke, Kate Mara, Ed Helms, Bruce Dern, Jim Gaffigan
Depicting Ted Kennedy's involvement in the fatal 1969 car accident that claims the life of a young campaign strategist, Mary Jo Kopechne.
Good drama. Ted Kennedy's character is likable and conflicted by family dynamics. It seems he never really wanted to become POTUS anyway. Very sad for Mary Jo...she probably could have been saved by divers if Kennedy had reported the accident immediately.
Bruce Dern plays Kennedy patriarch, Joe Sr. While Joe Sr. is a wheelchair-bound, dying, stroke patient who cannot speak, you still get a terrific performance from Dern.
No matter how you feel about Ted Kennedy or the Kennedy family, your opinions won't change, good or bad. So you can easily enjoy this drama without feeling a hard sell from the director.
"FORBIDDEN AREA" (1956)
DIRECTOR: John Frankenheimer
CAST: Charleton Heston, Tab Hunter, Vincent Price
Watched this last night.
Darned good live TV drama.
It was the very first of the "Playhouse 90" series and deals with a Russian spy in our military who puts the U.S. at huge risk during a Cold War episode.
Hiding in plain sight, "Human Resources" is the Commie Nexus buried within every corporation.
They usually are women, and liberal-feminist ones at that.
Little Psychology brats.
Always analyzing everything you say in any conversation.
Even if you're just saying "Good morning", they wonder: "What did he mean by that? That sounded patronizing. I'll bet he's a chauvinist and racist".